{"id":427,"date":"2021-03-15T18:43:12","date_gmt":"2021-03-15T18:43:12","guid":{"rendered":"https:\/\/zdronu.sk\/?page_id=427"},"modified":"2026-03-26T17:32:54","modified_gmt":"2026-03-26T17:32:54","slug":"zabery-pre-video-produkcie","status":"publish","type":"page","link":"https:\/\/zdronu.sk\/pl\/sluzby\/zabery-pre-video-produkcie\/","title":{"rendered":"Materia\u0142 filmowy do produkcji wideo"},"content":{"rendered":"
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\"\"<\/figure>\n<\/div>\n\n\n

Zrzuty ekranu do<\/span> filmy, dokumenty, reklamy i spoty online<\/h2>\n\n\n\n

Sami jeste\u015bmy filmowcami i opr\u00f3cz uj\u0119\u0107 z drona, polujemy r\u00f3wnie\u017c na filmy z ziemi. Nie boimy si\u0119 wyzwa\u0144 i rozumiemy wymagania i kompozycje re\u017cysera. Dzi\u0119ki temu dok\u0142adnie wiemy, jak powinno wygl\u0105da\u0107 spektakularne uj\u0119cie z drona dla Twojego projektu.<\/p>\n\n\n\n

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\"\" \"\" \u00a0\"\" \"\" \"\" \"\"\"\"\"\" \"\" \u00a0\"\" \"\" \"\" \"\" \"\"\u00a0\"\" \"\"\u00a0<\/p>\n\n\n

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\t\n\t\t\t\n\n\t\t\t<\/p>\n\n\n\n

Nami odszed\u0142<\/span><\/h2>\n\n\n\n

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\n \n

\n\t\t\n \n\n \n

Seria NEUER (Joj)<\/h3>\n
\n <\/svg>\n <\/div>\n \"\" <\/a>\n\n \n\n \n

FILM - Ksi\u0119\u017cniczka 100 razy inna<\/h3>\n
\n <\/svg>\n <\/div>\n \"\" <\/a>\n\n \n\n \n

Grape 2025<\/h3>\n
\n <\/svg>\n <\/div>\n \"\" <\/a>\n\n \n\n \n

Eurovea Tower (MUW SAATCHI & SAATCHI)<\/h3>\n
\n <\/svg>\n <\/div>\n \"\" <\/a>\n\n \n\n \n

FPV Skypark (Produkcja ENDRIUS)<\/h3>\n
\n <\/svg>\n <\/div>\n \"Nahladovy <\/a>\n\n \n\n \n

Grape 2024<\/h3>\n
\n <\/svg>\n <\/div>\n \"\" <\/a>\n\n \n\n \n

CORWIN - FPV<\/h3>\n
\n <\/svg>\n <\/div>\n \"N\u00e1h\u013eadov\u00fd <\/a>\n\n \n\n \n

\u010cSOB Bratislava Marathon 2024 - wprowadzenie do biegu<\/h3>\n
\n <\/svg>\n <\/div>\n \"Be\u017eci <\/a>\n\n \n\n\n <\/div>\n\n
\n \u2715 <\/a>\n <\/div>\n
\n \u0141adowanie...\n <\/div>\n\n\n\n <\/p>\n\n\n\n
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Wi\u0119cej naszych uj\u0119\u0107<\/a><\/div>\n<\/div>\n\n\n\n

<\/div> <\/p>\n\n\n\n

Top RAW<\/span> wyj\u015bcie<\/h2>\n\n\n\n

W przypadku du\u017cych projekt\u00f3w zazwyczaj nagrywamy w formacie RAW lub ProRes 422.<\/p>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

CinemaDNG RAW i ProRes<\/span><\/h2>\n\n\n\n

Nagrywamy filmy z drona DJI Inspire 2 w profesjonalnych formatach:
<\/p>\n\n\n\n

    \n
  • 6K 12-bit CinemaDNG<\/li>\n\n\n\n
  • 10-bitowy 5.2K\/4K ProRes 422<\/li>\n\n\n\n
  • ProRes 444<\/li>\n\n\n\n
  • ProRes RAW HQ 2000 Mb\/s
    <\/li>\n<\/ul>\n\n\n\n


    <\/p>\n\n\n\n

    <\/div>\n\t\t <\/div>\n\t

    \n\t\t\n\t\n\t\t\t
    \t\n\t\t\t\n\n\t\t\t
    <\/div><\/p>\n\n\n\n


    <\/p>\n\n\n\n

    <\/p>\n\n\n\n

    Przesy\u0142amy podgl\u0105dy do formatu MP4\/MOV (H264\/H265).<\/h3>\n\n\n\n

    <\/div>

    <\/p>\n\n\n\n

    Stabilizator kamery X7 jest wyposa\u017cony w czujnik Super35.<\/h3>\n\n\n\n

    <\/div>

    <\/p>\n\n\n\n

    Na kamerze mo\u017cna zamontowa\u0107 obiektywy DL 9 mm, 24 mm, 35 mm i 50 mm.<\/h3>\n\n\n\n

    <\/div>

    <\/p>\n\n\n\n

    Dla klienta lub re\u017cysera mamy w\u0142asny monitor podgl\u0105dowy o jasno\u015bci 2200 nit\u00f3w.<\/h3>\n\n\n\n

    <\/div><\/div><\/p>\n\n\n\n


    <\/p>\n\n\n\n

    <\/div><\/p>\n\n\n\n

    <\/div>\n\t\t <\/div>\n\t

    \n\t\t\n\t\n\t\t\t
    \t\n\t\t\t\n\n\t\t\t<\/p>\n\n\n\n


    Czym lecimy?
    <\/h2>\n\n\n\n

    <\/p>\n\n\n\n

    \n

    <\/div><\/p>\n\n\n\n

    <\/p>\n\n\n
    \n
    \"\"<\/figure>\n<\/div>\n\n\n

    DJI Inspire 2 RAW<\/h3>\n\n\n\n
      \n
    • Zasi\u0119g: 20 minut<\/li>\n\n\n\n
    • Rozdzielczo\u015b\u0107 wideo: 6K\/25fps <\/li>\n\n\n\n
    • Format: CinemaDNG RAW \/ ProRes 4444XQ \/ H265 \/ H264<\/li>\n\n\n\n
    • Opcja wymiany obiektywu<\/li>\n<\/ul>\n\n\n\n

      <\/div>

      <\/p>\n\n\n
      \n
      \"\"<\/figure>\n<\/div>\n\n\n

      DJI Mavic 3 Cine (2x)<\/h3>\n\n\n\n
        \n
      • Zasi\u0119g: 40 minut<\/li>\n\n\n\n
      • Rozdzielczo\u015b\u0107 wideo: 5,1K\/50fps<\/li>\n\n\n\n
      • Format: ProRes 422 \/ H264 \/ H265<\/li>\n\n\n\n
      • Sta\u0142y obiektyw: 24 mm \/ 166 mm<\/li>\n<\/ul>\n\n\n\n

        <\/div>

        <\/p>\n\n\n
        \n
        \"\"<\/figure>\n<\/div>\n\n\n

        DJI Mavic 3 PRO (2x)<\/h3>\n\n\n\n
          \n
        • Zasi\u0119g: 40 minut<\/li>\n\n\n\n
        • Rozdzielczo\u015b\u0107 wideo: 5,1K\/50fps<\/li>\n\n\n\n
        • Format: H264 \/ H265<\/li>\n\n\n\n
        • Sta\u0142y obiektyw: 24 mm \/ 70 mm \/ 166 mm<\/li>\n<\/ul>\n\n\n\n

          <\/div><\/div>
          <\/p>\n\n\n\n

          <\/div><\/p>\n\n\n\n

          <\/p>\n\n\n
          \n
          \"\"<\/figure>\n<\/div>\n\n\n

          DJI Avata 2
          FPV (2x)<\/h3>\n\n\n\n
            \n
          • Zasi\u0119g: 15 minut<\/li>\n\n\n\n
          • Rozdzielczo\u015b\u0107 wideo: 4K \/ 100 kl.<\/li>\n\n\n\n
          • Format: H264 \/ H265<\/li>\n\n\n\n
          • Dron FPV (pr\u0119dko\u015b\u0107)<\/li>\n<\/ul>\n\n\n\n

            <\/div>

            <\/p>\n\n\n
            \n
            \"\"<\/figure>\n<\/div>\n\n\n

            DJI Matrice 4T <\/h3>\n\n\n\n
              \n
            • Zasi\u0119g: 39 minut<\/li>\n\n\n\n
            • 56-krotny zoom hybrydowy<\/li>\n\n\n\n
            • Kamera termowizyjna<\/li>\n\n\n\n
            • Dron do inspekcji<\/li>\n<\/ul>\n\n\n\n

              <\/div>

              <\/p>\n\n\n
              \n
              \"\"<\/figure>\n<\/div>\n\n\n

              DJI Mavic 4 PRO
              <\/h3>\n\n\n\n
                \n
              • Zasi\u0119g: 43 minuty<\/li>\n\n\n\n
              • Rozdzielczo\u015b\u0107 wideo: 6K\/50fps<\/li>\n\n\n\n
              • Format: H.264 ALL-I \/ H265<\/li>\n\n\n\n
              • Sta\u0142y obiektyw: 28 mm \/ 70 mm \/ 168 mm<\/li>\n<\/ul>\n\n\n\n

                <\/p>\n\n\n\n

                <\/div><\/div>

                <\/div>
                <\/div><\/p>\n<\/div><\/div>\n\n\n
                \n
                \"\"<\/figure>\n<\/div>\n\n\n

                ProRes i w ma\u0142ym ciele<\/span>
                <\/h2>\n\n\n\n

                Wiemy, \u017ce nie zawsze przestrze\u0144 lub charakter sesji pozwala nam na u\u017cycie du\u017cego drona. Dlatego na mniejsze wydarzenia mamy DJI Mavic 3 CINE, kt\u00f3ry mo\u017ce by\u0107 u\u017cywany do nagrywania przez oko\u0142o 40 minut na jednej baterii. Oczywi\u015bcie dost\u0119pny jest r\u00f3wnie\u017c wysokiej jako\u015bci format ProRes 422 i wyj\u015bcie do overhead.<\/p>\n\n\n\n

                Dron posiada dwa wbudowane obiektywy - g\u0142\u00f3wny obiektyw 24 mm na matrycy 4\/3Cmos oraz drugi teleobiektyw 162 mm.

                Dron nagrywa filmy w rozdzielczo\u015bci do 5.1K\/50 fps i 4K\/120 fps.<\/p>\n\n\n\n

                <\/div><\/p>\n\n\n\n

                <\/div><\/p>\n\n\n\n

                <\/div>

                \n
                <\/p>\n\n\n<\/p>\n

                        \"\"   \"\" \"\" \"\" \"\" \"\" \"\" \"\" \"\" \"\" \"\" \"\" \"\" \"\" \"\"<\/p>\n\n\n

                <\/div><\/div>

                <\/p>\n\n\n\n

                <\/div><\/p>\n\n\n\n


                <\/p>","protected":false},"excerpt":{"rendered":"

                Uj\u0119cia do film\u00f3w, dokument\u00f3w, reklam i spot\u00f3w online Sami jeste\u015bmy filmowcami i opr\u00f3cz uj\u0119\u0107 z drona, polujemy r\u00f3wnie\u017c na filmy z ziemi. Nie boimy si\u0119 wyzwa\u0144 i rozumiemy wymagania re\u017cysera oraz kompozycje. Dzi\u0119ki temu dok\u0142adnie wiemy, jak powinno wygl\u0105da\u0107 spektakularne uj\u0119cie z drona dla Twojego projektu. Najwy\u017cszej jako\u015bci materia\u0142 wyj\u015bciowy RAW W przypadku du\u017cych projekt\u00f3w zazwyczaj nagrywamy w formacie RAW lub...<\/span><\/p>","protected":false},"author":1,"featured_media":6281,"parent":413,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-427","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nZ\u00e1bery do filmov, dokumentov, rekl\u00e1m a online spotov | Zdronu<\/title>\n<meta name=\"description\" content=\"Sami sme film\u00e1rmi, neboj\u00edme sa v\u00fdziev a rozumieme re\u017eis\u00e9rskym po\u017eiadavk\u00e1m a kompoz\u00edci\u00e1m \u2705 Tvor\u00edme p\u00fatave a jedine\u010dn\u00e9 vide\u00e1 zo zeme aj vzduchu.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/zdronu.sk\/pl\/sluzby\/zabery-pre-video-produkcie\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Z\u00e1bery pre video produkcie\" \/>\n<meta property=\"og:description\" content=\"Sami sme film\u00e1rmi, neboj\u00edme sa v\u00fdziev a rozumieme re\u017eis\u00e9rskym po\u017eiadavk\u00e1m a kompoz\u00edci\u00e1m. 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